It’s well worth a watch if you’re interested if you’re interested in that sort of thing, but to say you having to re-watch it step-by-step, I have written out the steps that Ian goes through to produce the final image, along with a few of my own comments:
- Open your two photos as layers in GIMP. Move the underexposed photo (good sky, dark landscape) on top of the overexposed photo (exposed for darker foreground). Make sure they are aligned; if not, you may have to shift one image by a couple of pixels to get a better alignment.
- Duplicate the overexposed photo layer (creating a third layer), select this new layer, and apply “Colors>Desaturate” and desaturate by luminosity.
- Apply a bilateral blur to this desaturated layer via G’MIC: “Filters>G’MIC” and in the pop-up select “Repair>Smooth [Bilateral]”. Zoom in to the edge between the light and dark exposures in the preview window and then bump the value variance up until just before that edge starts to blur.
- Click and drag this desaturated+smoothed layer over to the Channels tab and drop it into the empty pane below the text that says “Lock”. Click on the eye to make it invisible.
- Go back to the layers tab and select the upper (underexposed) photo of the sky. Right click and select “Add Layer Mask”. In the pop-up window choose the “Channel” option and select the desaturated+blurred channel that you just created.
- You should now see the initial results of the blended images (make sure that the desaturated+blurred layer is also invisible – click on the eye next to it).
- Zoom into the edge where the two photos meet (the sky to land transition) and inspect it). You may see slightly jagged edges where the blending has not been perfect. To get rid of this, select the mask (make sure you click on the mask to avoid applying this to the whole layer) and go to “Filters>Blur>Gaussian Blur”. Select a radius of 1-2 pixels and hit apply. You may have to Undo this step and reapply to find the optimal setting for your image. If you need a really high radius to get rid if the edges, your images may be misaligned (see step 1) or too dissimilar (use a tripod and take exposures within a few seconds of each other).
- If the foreground is darker in the blended result, you will need to darken the upper layers mask in those areas (remember that black areas in the mask are 100% transparent, and become more opaque as they get lighter). To do this, make sure that the mask is still selected and select the lasso tool (make sure that you are using the “Add to current selection” option). Roughly select whole foreground area, making sure to stay away from the sky.
- With the foreground selected, go to “Select>Feather selection” and pick a value. Ian suggests using the longest dimension of the picture in pixels divided by 6, but this is somewhat arbitrary. More on this in step 11.
- Select the bucket fill tool (i.e. the paint bucket) and make sure that it is set to black (i.e. a black square should be over a white one), and that “FG color fill” is selected in the tool’s options. Then press Cntrl+comma simultaneously to fill in the mask.
- You may have to undo steps 9 and 10 and play around with the feathering radius to get a version that works for your image.
Now go and make great pictures!
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